Vellamar Estates

Audition Details for:

Vellamar Estates

by Tanya Smith

Auditions due 29 January 2026

How to Audition:
Logged-in Users will see an area in green immediately above this paragraph (and also at the bottom of this page) with a link to download the Audition Script and an email address to send auditions. You must be logged in to see this area. If you cannot see a green ‘Download Audition Script’ button, return here after logging in on the log-in page.

Link to Book at Amazon:

Author’s Facebook page:

Word count: 120,000 words (Dual narration approximate split: 52,000 words for female narrator. 68,000 words for male narrator)
Genre: Thriller
Number of Narrators Required: Dual Narration
Gender/s of Narrator/s Required: Female, Male
Ethnicity of Narrator/s:
Language Required: English
Accents Required: US Standard American
Audio Format: Retail-ready audio (edited proofed mastered)
Payment Options: $350 to $400 plus USD PFH (per finished audio hour)

Vellamar Estates

NOTE: The author has advised they wish to close off auditions early (27 January) as they have found their narrator.

I am a best selling author with a Universal Pictures adaptation of my first book. This will be my second. I will consider using a single female narrator (rather than Dual Narration) if the female can do the voice of John as listed in the notes below.

GENERAL NOTES FROM THE AUTHOR:
I want a storyteller, not a radio drama. The book has multiple characters and I want them to feel distinct — but through subtle shifts in tone, pacing, and emotional energy. Not heavy accents, pitch changes, or impersonations.

For the main Female character Kathleen: Warm, intelligent, storyteller energy. Subtle character shifts; not performances.
For the main male character John: Cold, controlled, quiet menace. The danger is in the stillness; not volume.

FOR FEMALE NARRATORS (reading everyone EXCEPT the main male character, John):
When you're reading male characters (Tommy, Rashad, Orson, Kenny, Frank, Detective Johnson) don't try to sound like a man. Don't lower your voice or do a male impression. Just portray them through shifts in energy and emotion, staying in your natural voice. The writing tells us who's speaking. Your job is to bring the character's emotional truth, not their gender. Think Gone Girl, The Silent Patient, Big Little Lies — that tone.

Ladies, if you know a male narrator who can work to the specifications for the male part listed below, please let them know (or maybe suggest them to the author?). Bonus points if you've worked together before.

FOR MALE NARRATORS (reading for the main male character, John, only):
Lower register. Controlled. Quiet menace — unsettling calm, not theatrical villainy. The danger is in the stillness. Think: someone who whispers threats, not shouts them. John is a predator. He watches people through hidden cameras. He's clinical, detached, methodical. Not a cackling villain — that would be too easy to dismiss. He's the guy who seems normal until you realize he's been documenting your life for years. I need a voice that makes listeners uncomfortable without knowing exactly why.


How to Audition:
Logged-in Users will see an area in green on the top right and bottom right of this page with a link to download the Audition Script and an email address to send auditions. You must be logged in to see this area. If you cannot see a green ‘Download Audition Script’ button, return here after logging in on the log-in page.